The importance of book covers, especially in series - by Vijaya Schartz

 

This is the cover reveal for my October release

Angel Brave, Azura Book 3

As an author, I see images in my head when I write. Like a 3D movie, with sounds and lights and special effects, and color, and smells, and heat, and cold… and all these elements end up in my story. So, I have a pretty good idea of what my characters look like, sound like… and I want my readers to see the same movie in their heads as they read the book. So I do make suggestions to the artist cover designer, here Michelle Lee, and this latest cover does reflect my vision perfectly.

Chuck Lorre, creator of The Big Bang, Young Sheldon
Two and a half men, The US of Al, and many award-winning sitcoms.

I remember something Chuck Lorre wrote in a vanity card at the end of a show. I paraphrase: “I learned over the years, not to obsess over whether or not the actor looks like the character in my head, but rather to find a talented actor who will make the character his or hers.”

And here resides the secret of success. Learning to let go of the characters we created to let the reader re-imagine them. I’m certain authors whose stories make it to the screen struggle with the same problem. How the movie director, the screenwriter, and the producers see the characters often differs from what the original novelist had in mind.

The Archangel Twin books
Evil has many faces, not all of them human...

Sometimes, the book cover reflects my vision of the characters, and sometimes not. And who is to say which is best? My idea of Michael was very different, but I do love the new covers for the Archangel twin books.

Byzantium (Space Station) series, action, romance, and telepathic cats

Then, there is the cover without people on it, a trend which comes and goes with the seasons. It portrays adjacent scenery or an animal relevant to the story. Like in the Byzantium Space Station series, with telepathic cats as secondary characters.

Chronicles of Kassouk - Sci-fi Romance with big cats

In a series, there is also the concern for continuity. A long time ago, with another publisher, I received a cover that was unacceptable. It was book 3 in a series, and while the first two book covers featured photographs of male cover models (it was sci-fi romance) the cover of Book 3 was a comic book drawing with juvenile UFOs and little green men. It took me a while to figure out a nice way to tell the person in charge that this cover, while lovely, didn’t fit the mood of the story, and most importantly didn’t match that of the two previous books. Ooopsie!

Ancient Enemy series - Sci-fi Romance

All the book covers in a series should reflect the same palette, ambiance, font, design, etc. so the potential reader can recognize a book as belonging in a familiar series. Like The Curse of the Lost Isle, or the Chronicles of Kassouk.

Curse of the Lost Isle, Celtic Legends, Paranormal Romance

This said, I hope you’ll check out all these titles on my pages below.

Happy Reading!

Vijaya Schartz, author

Strong Heroines, Brave Heroes, cats

http://www.vijayaschartz.com

amazon - B&N - Smashwords - Kobo - FB

Cover Reveal for Little Witch

Jill Hughey is about to release her medieval romance novella, Little Witch, the fifth installment in the Evolution Series, and here is the lovely cover by Rae Monet. You can see from the banner below it how nicely the new cover fits in with the three main novels of the series. Little Witch is 49,000 words so it is just skirting along the lower end of a novel's word count. The book features the stableboy introduced in Vain. We get to see Nox as an adult where he is still part of the Lord of Ribeauville's world.

If you want to get started on the Evolution Series, the first two books are available in a bundle on most ebook vendors, which is like getting one FREE!  Evolution Series Bundle on Amazon

SEDUCING SIGEFROI - the cover process - by Vijaya Schartz

After PRINCESS OF BRETAGNE and PAGAN QUEEN, comes the third book in the Curse of the Lost Isle series, SEDUCING SIGEFROI.

You wouldn't believe all the work Michelle  and Judith went through, researching the perfect characters for the cover. In this case, Sigefroi of Luxembourg, the hero, is a real character, the founder of a dynasty that became very influential later in history. As such, there are representations of Sigefroi on stained glass windows, and written descriptions of him in history books.

Of course, little is known of this first Sigefroi of 963 AD, since the written records of the period are few. Still, there is a generalogy, and a few land deeds, and then there is the legend.

Sigefroi had red hair and light hazel eyes, which was a common thing for a germanic knight of the period. Finding a red-haired cover model to fit the bill, however is an impossible task.

I've given my opinion on several pictures and sent pictures I found that might work, in order to help, but I realize how difficult it is.

As for the heroine, Melusine the Fae, she is even more difficult to pinpoint. She is an ondine. She is a woman most of the time, but one day each month she becomes a mermaid, a serpent from the waist down. She sometimes dresses in chainmail, rides a white horse, and wields a magic sword. Here is the best representation I could find of her transformation at sunset.

 Oh, and here is a picture of the Bock of Luxembourg, a castle (now in ruins) at the top of a cliff. Can you see the Roman bridge at the very bottom? That's where Sigefroi and Melusine meet for the first time.

I can't wait to see what the very talented Michelle Lee who designs the book covers for Books We Love will come up with. But judging by what she did with the previous covers, I know it will be great.

Vijaya Schartz

Swords, Blasters, Romance with a Kick

http://www.vijayaschartz.com/

Find her books on Amazon HERE