Showing posts with label horses. Show all posts
Showing posts with label horses. Show all posts

Monday, March 4, 2013

LADY OF LUXEMBOURG IS OUT - Vijaya Schartz



Finally, the long awaited Lady of Luxembourg, Book 4 in the Curse of the Lost Isle series, is out in kindle!

Find it today at:




978 AD Melusine the Fae, immortal and cursed Lady of Luxembourg, managed to hide her Pagan nature from mortals for many years. She fiercely protects her handsome Count, Sigefroi, but in their princely bliss, neither of them seems to age, and a few suspicious bishops take notice. Then an ondine wreaks havoc during a battle, luring enemy soldiers into the river.
Betrayed, Sigefroi reflects on his many sins from the depths of a rat infested dungeon. Under torture, will he reveal her deadly secret? And when her beloved turns into a devout Christian, can Melusine salvage her happiness? Can love truly redeem her curse, or will she burn at the stake?



This gritty, edgy, realistic medieval romantic series is not for the faint of heart. If you like realism in your medieval novels, this series is for you. Reviewers gave it five stars and called it “bloody and bloodthirsty in places.” So beware!



The books in the Curse of the Lost Isle series can be read separately, but if you are like me you’ll want to read them in the right order. Here they are:

BOOK 1 – PRINCESS OF BRETAGNE

BOOK 2 – PAGAN QUEEN

BOOK 3 – SEDUCING SIGEFROI

BOOK 4 – LADY OF LUXEMBOURG.



There is also a special edition including the first three books in the Curse of the Lost Isle in one kindle download, for a bargain price.


Find the entire series as well as my other books on my Amazon page, HERE:



Vijaya Schartz

Blasters, Swords, Romance with a Kick



 

Tuesday, April 3, 2012

Travel Through Time, by Jill Hughey


Travel Through Time:  In my last few blog entries I have been discussing the kinds of research needed to make historical fiction accurate, or at least not ridiculously inaccurate.  For most historical novels, the author has to become familiar with the modes of travel.  Even the most protected or ignored romantic characters get at least one or two journeys in their story (think of Jane Austen's Emma or Anne Elliott). How did people get around in the world?  How long did it take to go from point A to point B?  Would they enjoy the trip or would it be an arduous or dangerous undertaking?

Even if our main characters never leave their homes, other players probably have to come and go from our setting in order to keep the story interesting.  Understanding the ways people travelled during a time period can be a challenge but can also add a wonderful element of human progress.  I wrote a short romance call Sass Meets Class- soon to be released - set in Arizona in the 1880s.  I had a very specific time span in mind due to some other actual events that happened around my location.  This was also when railroads were just being built in the region so I had to determine exactly when each line was completed and how that might affect the hero and heroine's movements.  It actually worked out quite well because I was able to bring my hero back to the love of his life much more quickly by train than when he left her behind on horseback.

This leads into how the time required to make a journey can be important to the story.  Figuring out the timeline of a story is one of the biggest challenges for me as a writer because I am always so impatient to start writing!  Once I have the timeline though, a journey has to be accounted for somehow, even if mentioned in one sentence.  For Redeemed, the second story in my Evolution Series, I had to figure out how long it would take my hero Doeg to return home from the Carolingian Army's summer camp in the year 834.  (Determining where the army camped that year was a whole different research topic.)  I knew he would be on a horse.  I had to decide what route he might take, how many miles or leagues that route would add up to, and how many miles or leagues a fully-loaded horse can travel day-after-day-after-day.  A good reference book for the correct time period is invaluable for this kind of information (I use Daily Life in the World of Charlemagne), especially the routes and speed of travel.  Obviously Doeg's horse would not compare to the modern horse so there is some value in finding as much information as you can from the right time in history.  It is doubtful that any book or internet search could tell me exactly how long it would have taken him to ride from Langres to Regensburg but I owe my readers at least a credible estimate.

The rigors of travel were very different depending on the time period, wealth of the traveler, mode of travel, and location.  Many of us are familiar with first kisses stolen in the confines of a luxurious carriage or the forbidden assignation in the deep of night at an inn.  Most of my characters live a slightly more rustic life.  In Unbidden my hero and heroine, David and Rochelle, travel for four days with a small group of travelers.  Unlike Doeg's eleven-day solo journey that I covered in one paragraph, I wrote something about every day of David and Rochelle's trip so David would have time to woo Rochelle as she tried to resist her developing affection for him.   Obviously they could not just float along talking to each other.  The logistics of the trip had to be at least mentioned or more preferably used to establish a strong sense of what traveling would be like in 831 Francia.  Where would they sleep?  Answer:  one night in the open, one night in a monastery, one night outside the walls of a monastery.  During one day they are in a huge thunderstorm with no shelter.  On another day Rochelle is set upon by two petty thieves.  Obviously these occurrences set up opportunities for David and Rochelle to interact but they were also very real dangers of travel in the Middle Ages.  Could one of them, on the other hand, get a bad case of poison ivy?  Preferably not, because poison ivy is indigenous to North America, not Europe.

Research, research, research.  Soon I will blog a little more about sources.

Some of my favorite "classic" romances are set on sailing ships.  What is your favorite or the most unique travel scenario you have encountered in books set on the planet Earth?

Friday, March 30, 2012

Historic Accuracy? Part Two: Modern Conveniences

Historic Accuracy?  Part Two: Modern Conveniences  

One of my major challenges in writing in 830s  Europe is making clear to the reader what is NOT there.  As an example, stirrups had not been added to saddles yet.  For modern readers, the stirrup is an integral part of every saddle they have ever seen or sat on but as an author I cannot just come out and tell them the saddle had no stirrups because the concept of a stirrup -- much less the term for it -- did not exist.  There is a scene in Unbidden, 
where my heroine has a difficult time mounting her horse under duress because she has become accustomed to the hero helping her.  The reason she struggles is because she has no stirrups and did not look around for a stump or log when she dismounted.  In my historical notes I mention the stirrup-less saddle but I am still not entirely satisfied with the actual scene because I did not find a way to tell the reader there are no stirrups.

Household fixtures that were not as hard to deal with but did require some thought.  Chimneys were not yet in use so I had to describe the hearth in the middle of the floor and the hole in the roof nor could I have those wonderful love scenes in front of the bedroom fireplace because there were no fireplaces.  Toilets were generally housed in outhouses though I chose to use the term "latrine".  Even something as universal as money requires research.  What denominations of currency were in use?  What did the coins looks like and what were they made of?

As a reader,  how much detail regarding everyday items do you like to have in historical romances you read?