Showing posts with label mythology. Show all posts
Showing posts with label mythology. Show all posts

Wednesday, April 20, 2016

DAMSEL OF THE HAWK is out today! by Vijaya Schartz

DAMSEL OF THE HAWK, Book 7 in the Curse of the Lost Isle medieval fantasy romance series (standalone) is out today.

The story is set in 1204, after the sacking of Constantinople by the Crusaders, and I had lots of fun with the research. My hero is one of the mysterious Kipchak warriors who served in the Byzantine emperor's personal guard. Savagely loyal, fearless, and deadly, the Kipchak offered their skills for gold, and Constantinople had plenty.

As barbarians go, the Kipchak are full of surprises for a westerner like me. Raised in France, I always considered the hordes from the east a bunch of uncivilized demons on little horses, eating raw meat, killing, and pillaging. Although some tribes were more violent than others, and despite the fact that many lived in tents, these barbarians of the steppes, when they settled, could build beautiful cities, temples and palaces. There is also a gap in centuries between Attila the Hun and Genghis Khan, who was on the rise at the time of the story.

The Kipchak also brought with them a number of amenities we still enjoy today. They didn't eat their meat raw, they grilled it, and many of us still like a good Mongolian Barbecue. They brought us medicine herbs and spices from the orient. They traded silk and precious gems as they controlled the roads between the continents. They enjoyed fermented drinks, made from goat milk, oats and barley, and they could drink great quantities of it. They could hold their liquor like no one else.

While the Crusaders used a crossbow and fired their bolts in volleys, the Kipchak used a small composite bow of wood, horn and sinew, with incredible precision. They could hit their mark from a great distance, with a single arrow, from the saddle of a galloping horse. The Kipchak's skills as riders reached the point of acrobatics. Their horses, small in comparison to the enormous destriers of the western knights, could travel great distances in very little time, even in mountainous terrain.

Always close to nature, the Kipchak raised horses, sheep and goats, and they loved and respected their animals, although they rarely named them. They even had a white dog deity named Kopec. Of course, that's what I named the hero's white sheepdog in the story.

But there was also gold in the Caucasus Mountains between the Caspian and the Black Sea, and the Kipchak weren't immune to the fascination of precious metals. The women wore headdresses and heavy necklaces made of gold coins, especially the khan's wives and concubines.

Their beauty was legendary. The term Caucasian comes from their look. Part Asian and part Viking (the Russ tribe that invaded from the north), they had golden skin and clear eyes, very little body hair, and the men kept their hair short under the turban. They bathed often and kept good personal hygiene, compared to the often smelly Crusaders.

I will miss my close relationship to these Kipchak warriors as I move on to writing the next book in this series, which will be set in Poitou and Aquitaine (France), and will feature Melusine the Fae, the infamous lady of Lusignan.

Here is my new release:
DAMSEL OF THE HAWK
Curse of the Lost Isle Book 7 (standalone)
from Books We Love Ltd
by Vijaya Schartz
in eBook and paperback
http://amzn.com/B01CH93SNM

1204 AD - Meliora, immortal Fae and legendary damsel of Hawk Castle, grants gold and wishes on Mount Ararat, but must forever remain chaste. When Spartak, a Kipchak warrior gravely wounded in Constantinople, requests sanctuary, she breaks the rule to save his life. The fierce, warrior prince stirs in her forbidden passions. Captivated, Spartak will not bow to superstition. Despite tribal opposition, he wants her as his queen. Should Meliora renounce true love, or  embrace it and trigger a sinister curse... and the wrath of the Goddess? Meanwhile, a thwarted knight and his greedy band of Crusaders have vowed to steal her Pagan gold and burn her at the stake...

Vijaya Schartz
Blasters, Swords, Romance with a Kick
http://www.vijayaschartz.com 

Friday, September 20, 2013

How a piece of Renaissance art influenced a paranormal romance By Juli D. Revezzo



Ask any author about the inspiration behind their works and you’ll get all kinds of answers. Some authors are people-watchers, some let music inspire them, some the muse comes to, uninvited. The reasons for inspiration even vary from book to book, short story to short story.

For me, one of my biggest interests in my life has been mythology, and alongside it, art. I even pursued a degree in art history, lo, many years ago. My favorites pieces were always (no shock to my friends, I’m sure) artists who themselves were inspired by Classical mythology.

So when I began kicking around the idea for what became my debut paranormal romance novel, PASSION’S SACRED DANCE, I wasn’t exactly sure what the story might entail. Poking through my collection of books on Mythology, yes, gave me something of an answer. I knew it was to be a war based on the Second Battle of Mag Tuired, but it was an art piece that really set the book in motion. During those years that I studied for my degree, I fell in love with the art of Sandro Botticelli. I enjoy his work so much, I have a collection of books, postcards and other assorted goodies which his work graces.



 My favorite is his piece La Primavera (or the Birth of Spring). It hangs on my wall even now. In this piece you have various gods, prancing around in an idyllic garden, Venus at its center denoting the world’s interest turning to love with the spring. (You know that old cliché) To her right, the lovely Flora spills flowers from her skirt as she dances. Littering the world with beauty. But it was the three graces, dancing to Venus’s left that always drew my attention. What a wonderful way to celebrate the light side of the year! It does bring to mind maypole dances, and Renaissance fair dancers. I even wrote papers about it in school.


However, if you look to the far left, you will see a figure out of place. This fella I always thought was Mars, the god of War, and what an odd place for him to show up. So that set the wheels in motion, what could War be stirring up in those leaves above and why? So when my characters started chattering in my head about the upcoming beginning of spring, I heard rumblings of war, and wondered why. Aaron and his warrior buddies came along and said, “The ancients knew. They had it right. War’s coming and spring might not. Do you know this girl?” He pointed to the dancers. “And where the heck do we find her?”

(It was hard for me to tell him later that I had the interpretation all wrong. The god’s actually Mercury, not Mars. But messengers are messengers, all the same, right?)

So that’s how Boticelli’s Primavera tied into the Second Battle of Mag Tuired and became PASSION’S SACRED DANCE.

Blurb:
 Passion’s Sacred Dance

Battling mounting debt, Stacy Macken is determined not to lose her historic art gallery. When Aaron Fielding appears and offers to help, she fights to keep the attraction sizzling between them from clouding her judgment. He may be her savior in disguise--but can she trust him?
Aaron intrigues her with tales of the Tuatha dé Danann, sworn warriors who protect humanity from the monsters seeking their destruction. If Aaron can prove what he claims, she would give up anything to help--even the gallery he claims is sacred ground. But with her property set to stage the next epic battle, she needs answers. An old family diary will confirm the ancient legend is true, if only they can find it in time.
If the battle is lost, the enemy will take control of Earth for the next five hundred years. Stacy and Aaron's budding love might only complicate things.

 About Juli D. Revezzo:

Juli D. Revezzo has long been in love with writing, a love built by devouring everything from the Arthurian legends, to the works of Michael Moorcock, and the classics and has a soft spot for classic the “Goths” of the 19th century. Her short fiction has been published in Dark Things II: Cat Crimes, The Scribing Ibis, Eternal Haunted Summer, Twisted Dreams Magazine and Luna Station Quarterly. She also has an article and book review or two out there. But her heart lies in the storytelling. She is a member of Independent Authors Network and Magic Appreciation Tour. Passion’s Sacred Dance is her first romance novel.

If you’d like to read more, PASSION’S SACRED DANCE, from The Wild Rose Press, is available at Amazon (and Amazon.co.uk) in the Select program http://smarturl.it/xc5d7a  and coming soon to other e-tailers.

 Thank you, Vijaya, for inviting me here today!

You can find out more about Juli at her homepage:
On twitter: @julidrevezzo


Saturday, January 19, 2013

Lady of Luxembourg has a kick-ass cover - by Vijaya Schartz


This is a first peek at the cover of LADY OF LUXEMBOURG, Book 4 in the Curse of the Lost Isle medieval series. The artist is Michelle Lee, and she designed it for Books We Love. I absolutely love it. My heroine is depicted as Fae, strong, and wielding magic. Also love the sword with the mermaid. The sword runs through all the covers in the series, but the first two books had a dragon, and since this heroine is an ondine (she transforms into a mermaid on specific days), it keeps the theme running.

Fire is also a strong element in this particular novel. The fires of hell, the threat of being burned at the stake, and the magic fire Melusine wields in the service of the Pagan Goddess she worships.

I hope you like the cover as much as I do. I did have some input in this cover and I am very grateful my publisher is allowing me to participate to this degree.

The book should be out in kindle in a few days. In the meantime, don't forget to re-read or read the first three books, PRINCESS OF BRETAGNE, PAGAN QUEEN, and SEDUCING SIGEFROI. You can find them all in kindle at AMAZON


Happy Reading!

Vijaya Schartz
Blasters, Swords, Romance with a Kick