More Light on the Dark Ages: the Staffordshire Hoard

After much eager anticipation I finally got to see the Staffordshire Hoard Exhibition this week.  Better still I didn’t have far to go.  Although the exhibition will travel to different parts of the country its permanent home will be in the Midlands where it was found.  Currently it’s on display at the Staffordshire Potteries Museum in Stoke.  For a writer with a keen interest in the Dark Ages it was too good an opportunity to miss.

Dark Age Warrior

In fact the story of the find might have come from a fantasy novel.  On the 5^th July 2009 Terry Herbert went out with a metal detector on to farmland near Lichfield in Staffordshire.  He had, of course, obtained written permission from the landowner beforehand.   There Terry unearthed several gold objects.  Over the next five days he unearthed even more: 244 bags in all.  That’s about 11 kilos of gold. He reported his discovery to the Finds Liaison Officer for Staffordshire and the West Midlands.  What followed created huge excitement across the country, especially among archaeologists and Dark Age historians.

 

 

Millifiori stud

The hoard dates from between 650-700AD and it contains approximately 3000 artefacts.  At present 250 of these are on display.  The find is unusual in that almost all the objects in it are military in nature: sword pommels, seax handles, buckles, shield bosses, harness mountings and helmet fragments.  There is also a magnificent gold cross and a gold belt bearing a Latin inscription.  What stands out is the beauty and quality of the craftsmanship involved in making these things.  Their original owner or owners were people of high status: kings, princes or noblemen.  These items were designed to display rank and wealth and only the richest could have afforded them.  In today’s values they’re worth about £2 ½ million.  In many ways they are reminiscent of the artefacts found at Sutton Hoo, about which I wrote in a previous blog.

Sword pommel

The gold is exquisitely crafted and inlaid with garnets in geometric patterns.  Each component cell is lined with gold foil so that light is reflected back through the stone.  Sometimes the garnet inlay is contrasted with pieces of Roman tile, cunningly cut down and re-used in an early example of recycling. Neither the metal nor the gems in the hoard originated in England.  The gold came from Byzantium, the garnets from India.  Once again they point to an extensive and sophisticated trading network stretching across Europe and the Middle East to the Far East.

 

Belt with inscription

It is thought that the hoard may have been battle loot.  Staffordshire was once part of the ancient and powerful kingdom of Mercia which, back then, was undergoing great political upheaval.  Armed conflicts were frequent.  We don’t know who amassed and buried the hoard or why, but it seems likely it was done at a time of crisis.  Nevertheless, whoever it was never came back for it.  In consequence it lay undiscovered for 1300 years.

 

The sheer size of the find makes it unlikely that it will all be shown together, although I imagine we will eventually see an exhibition on a larger scale than the present one.  Nevertheless, this one is pretty amazing and I wouldn’t have missed it.  The experience reinforces my opinion that, although the Dark Ages saw plenty of conflict, it was not peopled by ignorant and primitive barbarians.  I also think that, before too long, similar discoveries will be made which will add to our understanding of the period.

 

A Little Light on the Dark Ages by Joanna Fulford

The Dark Ages (broadly 500–1000AD) was a period marked by frequent warfare and the virtual disappearance of urban life.  It followed the collapse of the Western Roman Empire.  When the legions left Britain in 410AD, their absence created an opportunity for invading tribes of Jutes, Angles, Saxons and Friesians who competed for land and power.  It was the era of Bede and Hilda and Cuthbert, and the legendary king called Arthur about whom so much has been written.

The period is described as ‘dark’ because we know relatively little about it.  The surviving evidence is thin on the ground.  And yet what does remain offers a glimpse of something tantalising and at variance with preconceived notions about intellectual darkness and barbarity.

Burial mound



On my recent research trip into Suffolk (see previous blog) one of the places I visited was Sutton Hoo.  It’s a must-see for anyone interested in the early medieval period.  My visit coincided with an anticyclone, but storm winds and driving rain added another dimension to the sombre beauty of this ancient Saxon burial ground.  There are several burial mounds at Sutton Hoo, but the largest and most famous is believed to be that of the mighty East Anglian king called Raedwald who died around 625AD.  Excavation of the grave revealed the outline of a great ship.  The timbers have long since decayed in the region’s acid soil but a host of other artefacts remain.  These range from weapons and armour to coins and cauldrons; cups and gaming pieces.  Most astonishing of all is the beauty and craftsmanship of the jewellery.  The originals are in the British Museum in London, but the exhibition centre at Sutton Hoo has excellent replicas.  As soon as I saw these, a lot of preconceived ideas about ignorant Dark Age barbarians went up in smoke.

Sutton Hoo helmet

belt buckle

There is nothing remotely primitive about these fabulous pieces, and the hand that made them belonged to a master craftsman using techniques that have changed very little since.  The level of sophistication involved is self-evident.  Stunning design is used throughout.  Sword and belt fittings, purse lid and shoulder clasps all reveal it.  Into the glorious gold settings the goldsmith set red stones: rubies brought from India; garnets from Northern Europe.   He cut and shaped them and then set them into miniature cells of gold, each backed with gold foil to reflect the light through the gem.  The stepped interlocking patterns were built up with geometric precision and balance.  In some instances the design is freer and represents interlaced creatures and protective animal, bird and man-like figures depicting a visual language once widely understood in Northern Europe but whose meaning is now obscure.  Each piece is a work of art in its own right and speaks volumes about the power and status of the king for whom it was made.  In modern values, the equivalent cost of recreating the shoulder clasps alone is estimated to be in the region of £100,000 – roughly $156.000.  Yet they were just a small part of Raedwald’s treasure.

Purse lid

The king’s sword had a superb blade forged by a highly skilled pattern welder.  One of the three hanging bowls discovered in the grave carried brightly enamelled and patterned fittings of Celtic design.  Silver dishes, bowls and spoons reveal Roman and Byzantine production.  One of the bowls came from North Africa.  Excavations of cemeteries in central Sweden reveal ship-burial customs and contain helmets and shields very like those from the Sutton Hoo ship.   King Raedwald, and rulers like him, belonged to an international culture in which the sea was not a barrier but a path of communication.

Shoulder clasps

Sutton Hoo has provided valuable insights into the past and has caused me to re-evaluate the Dark Ages.  Certainly the departure of the Roman legions from Britain had a profound effect and, yes, it was a period of warfare and invasion.  However, it seems to me that that isn’t the whole story.  I can’t buy into the idea that Britain and Europe and this time were inhabited solely by mindless barbarians: the existing evidence suggests something very different. 

The Dark Ages continue to fascinate us: I come back to an earlier point about the sheer volume of stories written about Arthurian legend.  Perhaps our love affair with the period is partly concerned with its obscurity; with not knowing for sure; with the continual exercise of the imagination.  Perhaps too it is about those occasional gleams of light when an enthusiast with a metal detector unearths another hoard of ancient treasure and suddenly our understanding of the past alters dramatically.  For the novelist such moments are pure gold.

I’d love to hear about your light-bulb moments. What was it that changed your perception of the past or provided you with fresh insight?